In the NY Post, Lou Lumenick hates the new Sex and the City movie.
Excellent!
SITC was a ghastly TV show, anti-feminist, materialistic and shallow. Its portrayal of New York—allegedly a celebration of the city—idealized its most unattractive aspects: money-grubbing, social climbing, relationship immaturity, a general refusal to grow up.
This isn’t the New York I know, or want to know, I always thought whenever I watched the TV show. (Though sadly, one of the city’s most authentic and rough-hewn areas, the meatpacking district, has been transformed into a Sex in the City theme park into which Manhattanites dare not enter, thanks to the show.)
I recognize that women can enjoy a television show about female friendship and life in New York. And SITC’s characters were certainly more plausible than the women presented on, say, Desperate Housewives.
But the women who live in New York are far more substantive and interesting than the show’s four characters. They don’t sit around and have endless conversations about Mahnolo Blahniks. They don’t panic and whinge at the mere thought of leaving the city for a weekend in the country. They don’t obsess about the latest clubs at which they can pay $20 for a Cosmopolitan (or—ugh—an appletini.)
(Or, more typically on the show, find a stranger to buy it for them.)
Wasn’t Mary Tyler Moore in fact a far more progressive portrayal of a tough, feminine, and smart woman?
Sex in the City felt like a gay male fantasy of women; or perhaps a gay male portrayal of a certain type of gay man…in the form of women.Throw the most outlandish fashions onto women and fill them with the desire to chit-chat idly and have brunch for 60-70% of their lives….like inflatable friend dolls for Chelsea boys.
(Please note, just for the record, that I said a certain type of gay man.)
One of Sex in the City’s most unappealing aspects was that it took some of the less attractive qualities of men gay and straight, inserted them into women, and called it progressive.
Now a sometimes funny but fundamentally soulless TV show sounds like a dreary film. Must it really be a cultural moment?
Those who watch it, Lumenick writes, will have to endure…….
endless fashion montages, shameless product placements, lethally slow pacing and utterly predictable plot.
Or if they’re not feminists distressed by the movie’s regressive, unmistakable subtext: that unless she’s a sexual compulsive, a woman is nothing without a man of her own.
The London Telegraph echoes the criticism of product placements:
Shoes, dresses, handbags, coffee, removal companies: it seems that almost every inch of the screen is full of product placements and designer labels, branded like the jumpsuit of a grand prix driver.
After all the inescapable hype for this movie, I would like to promote the backlash.
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One other thought, more journalism related: The Post has its review out today. Where is the Times’ write-up? I guess the Times will amble around to it and get the review out tomorrow.
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*Sorry, couldn’t resist.