Those of you who’ve read this blog for some time (or who read Harvard Rules) will know that one of the things that struck me as upsetting about the Larry Summers-Cornell West episode was the criticism West received for making a “rap” album.

I put that in quotes because anyone who listened to the record would know that it wasn’t rap. But even if it was, the attack on West for making that record felt deeply racist to me. If he’d made an album of classical music, would Harvard’s president (and so many outside commentators) have objected? I highly doubt it.

I thought of that undercurrent of racism again when reading this opening line from an article by the National Review’s Rich Lowry about Detroit Mayor Kwame Kilpatrick:

It could be an item on a David Letterman Top Ten List of “How to Know Your Mayor is Headed for a Major Scandal” - he’s known as the “Hip-Hop Mayor.”

Hmmm. Well, that’s an interesting connection. Because he’s associated with hip-hop in some way, he’s headed for scandal?

Lowry doesn’t bother to explain the logic, probably because, for himself and many of his readers, it’s self-evident: Hip-hop is generally African-American music, and it’s popularly associated with poor blacks.

So: hip-hop=inner-city black=”headed for scandal.”

Let’s try another equation: Rich Lowry=racist.