From Jerry Saltz’s Art column in the December 3 issue of New York magazine:

Urs Fischer has reduced Gavin Brown’s Enterprise to a hole in the ground, and it is one of the most splendid things to have happened in a New York gallery in a whle. Experientially rich, buzzing with energy and entropy, crammed with chaos and contradiction, and topped off with the saga of subersion that is central both to the history of the empty-gallery-as-a-work-of-art but also to the Gavin Brown experience itself, this work is brimming with meaning and mojo.

And alliteration, apparently.

(My question: Can a thing buzz with entropy? Or be topped off with subversion?)

The work of art in question is, literally, a big hole in the ground.